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And when it comes to the good experiences, forgetting what it was like to ride that roller coaster the first time around makes the experience all the more exhilarating on your next visit—if roller coasters are a good thing, that is. It was both a lot of fun and a challenge. We contributed equal amounts to the book, through writing, experimenting, and generating ideas. Going places and interviewing people together was really great, as was setting up experiments. As sisters, we are more honest with each other than most people, which actually helps with the writing process.

Did you learn anything new while working on Adventures in Memory? And as a clinician, I mostly see clients with memory complaints, so learning more about people with superior memory abilities was an eye-opener. Writing this book has truly been inspiring for my research. Hilde, you have some thought-provoking ideas about the connection between memory and writing, drawn from your own experience as a journalist and novelist.

Can you tell us more about it? While writing this book, it dawned on me how closely related the art of storytelling and the act of remembering are—how our stories, and all of the most beautiful pieces of literature, are structured just like memory itself. So learning more about memory definitely taught me more about writing. Also, as a historian, I realized how much focusing on our individual, fallible memories can be a mistake, especially in a court of law.

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False memory research started in the s because researcher Elizabeth Loftus wanted to examine why we so often wrongly accuse people of crimes they never committed—and do so with so much certainty. In truth, our memories are very unreliable, and she proved that through a number of spectacular experiments, including tricking people to think that they loved asparagus or hated eggs. I believe memories are supposed to be collective; together we can remember more than we can alone.

Our stories, together, connect us to each other, keeping us within a shared reality. Mindfulness is actually not about living in the present; that is a common misunderstanding. Instead, it involves a controlled form of mind wandering, in which one anchors the experience in the present moment. People mistake mind wandering with rumination and loss of control. In life, we need these free moments of mind wandering to let our mental time machine run, process our memories, and develop a vision for our future.

She is also vice-president of the Norwegian Neuropsychological Society. She lives in Oslo, Norway.

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The book is available October 9, Notify me of follow-up comments by email. Notify me of new posts by email. Read More. Order Read Local BC posters, bookmarks and shelf-talkers to use as part of displays in libraries and bookstores.

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Orders are subject to availability. Sign up for our quarterly newsletter featuring project updates, editorial content, and event announcements. We acknowledge the support of the Government of Canada through the Canada Book Fund for this project. What makes us remember? Why do we forget? And what, exactly, is a memory? Leave a comment 9. While floods and famine and cancer certainly suggest the universe is pure chaos and randomness, the beauty in the elaborate and connected natural order of things - of veins of a leaf, of a river, of a bold of lightening.

And more than the incredible natural order of the universe, there is love: how can love bet he produce of anything short of divine?


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Or is it simply our capacity to perceive and feel all this that is divine? Is divinity not some abstract unknowable "force" named God but our uniquely human ability to experience it? Do you think you can only feel faith - you can only believe in God, in a meaningful universe - if you were brainwashed with Bible stories, the Talmud, Zen koans as a kid? You know how envious I am of Catholics and Jews, whose faith seems to become a part of their very blood and remain with them long after their educated brains have rejected it.

But maybe our journey of doubt is a journey of faith, too. The things medicine can do, all the lives it prolongs and improves and saves; it's as awesome to me as the greatest art, music, and natural wonders of the world. It can never answer the question why? Only we can find meaning in what science explains, and I'd still like to know that meaning is not just make-believe, a dressing up of the facts to suit our childlike longing for a happy ending.

When I walk into an old cathedral like they have on every corner here in Spain, I in fact feel as if I'm trespassing. I feel I've made a mistake, I've entered a secret club, that I shouldn't be there, especially if a service is in progress. When it's empty I enter the ancient darkness and I smell the damp cement and the burning wax, and the statues of Jesus and the sad-eyed Virgin look down at me through the vaulted shadows, and I look at the marble tombs and sarcophagi and the magnificent frescoes of the glory and the agony of the lives of Jesus and the saints, as a pale robed priest or nun floats by on air, silent as spirit, and I see the bowed heads of believers on their knees, and I hear the muffled whispers of their prayers, I feel alone and part from them and that I don't belong in that place.

I want to. I am in awe of it. But I'm outside. I envy praying people. I want to feel what they feel. There is magic there, but I can only watch it, like an audience watches a ballet, never knowing what it feels like to pirouette on one toe, to sail through the air in a grand jete Then I find an empty pew in the back of the sanctuary and I wait. I breathe in the musty, mote-filled air, air heavy with centuries of hope and prayers, with wishes granted and denied, air that's filled the lungs of crying babies as they were christened with holy water and the lungs of mourning mothers, and now mine, as I say a prayer for Maddie, and wait.


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Feb 08, Jamie Stanley rated it did not like it Shelves: did-not-finish. I could not get into this book to save my life. I wanted to like it, but it was horrible. Loved this book. Loved the relationship between the sisters and family. Aug 21, Jodi rated it really liked it Shelves: family , addiction , human-relationships , california , ohio , sibling-relationships , epistolary.

This review has been hidden because it contains spoilers. To view it, click here. Since I'm usually not fond of books written in epistolary form, I wasn't sure if I would like this book or not. It was one of those books that, at the beginning, I wasn't sure I would finish, but as I got further into the book I liked it more and more. It definitely was an accurate portrayal of how Since I'm usually not fond of books written in epistolary form, I wasn't sure if I would like this book or not.

It definitely was an accurate portrayal of how helpless one feels and how frustrating it can be to have a loved one be very sick, when you have no control over that. I also liked the way it showed family members' differing reactions to the sister's illness. Unfortunately, the cover makes the book look as if it belongs in the "chick lit" category, but overall, the book is rather more serious than that.

There are two quotes from the book that I particularly like: 1.

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Watching someone you love being hurt is its own special hell. Because you are not hurt, because you are strong, you feel you ought to prevent the pain from being inflicted; her pain is blameless, while your psychic pain is laced with the guilt of knowing you didn't do anything to stop it, and the fact that you couldn't have comforts only your mind, never your heart. I in fact feel as if I'm trespassing. I feel I've made a mistake, I've entered a secret club, that I shouldn't be there, especially if a service is in progress I see the bowed heads of believers on their knees, and I hear the muffled whispers of their prayers, I feel alone and apart from them and that I don't belong in that place.


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  4. I envy those praying people. There is magic there, but I can only watch it, like an audience watches a ballet, never knowing what it feels like to pirouette on one toe Jan 11, Faith rated it really liked it Shelves: It was off course the front cover that made me notice it. And it was definitely worth all the prize on the back cover. The book deals with Hollywood and terminal illness cancer , and these subjects are obviously quite different from each other, but they are actually quite okay in the same book, in this book.

    It's not that stupid actaully.

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    Not stupid at all. Even Hollywood-people have too deal with things such as cancer sometimes, that is no less often than other people i suppose. Robinson manages to make the book both funny and moving at the same time.