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The school of clarinet playing. Part 2.
LaTromba Products. Event Calendar. Prokofiev — Sarcasms Op.
Rachmaninov — Etude-tableau in F sharp minor Op. Rachmaninov — Preludes in B flat Major Op. Rimsky, Korsakov and G.
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Scriabin — Piano Sonata No. Schumann — Romance in F sharp Major Op.
Franck — Sonata for violin and piano in A Major W. Mozart — Piano Quartet No. Von Weber — Trio for flute, cello and piano in G minor Op. Grieg — Piano Concerto in A minor, part 3 F. Lizst — Piano Concerto No.
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Prokofiev — Piano Concerto No. Rachmaninov — Rhapsody on a theme of Paganini. Newly-composed sections ranging in length from four to forty measures occur in all except one of the etudes Rose No.
Each Ferling study in its entirety is usually incorporated by Rose, but occasionally a segment is omitted. Rose freely modifies the factors of rhythm, articulation, tempo, range, melody, dynamics, expression markings, meter, phrasing and key.
Ferling's etudes consist of forty-eight studies in every major and minor key with one slow and one fast etude in each key. However, the tonalities of Ferling's studies are almost invariably transposed by Rose, and the intervals of these transpositions include the minor second, major second, augmented fourth, perfect fifth and octave.
Through these transpositions Rose avoids using any minor keys beyond three accidentals and any major keys beyond five accidentals. It is worth noting that in two of the etudes Rose incorporates excerpts from works for solo violin by Johann Sebastian Bach.
In his Etude No.
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The initial ten measures of this section constitute an almost literal repetition of measures of the second movement of Bach's Partita I in B Minor for solo violin. The discrepancy in the number of measures cited can be attributed to the fact that the Rose etude is in duple meter, whereas the violin edition is in quadruple meter.